The Help

The Help has certainly received a lot of Oscar buzz, more than I think it deserves honestly. While this film is entertaining, and does feature some strong performances, it left me with a bitter taste in my mouth. Although well meaning, The Help is of course tailored to a Hollywood, predominately white audience, and as such, ignores many key factors in racial oppression, and seems to act as an exoneration of viewers’ collective “white guilt”.

The story is framed against the growing civil rights movement of the 1960’s and focuses on both Aibileen (Viola Davis), a black maid, and Skeeter (Emma Stone), an aspiring writer who returns to her hometown of Jackson, Mississipi. Skeeter is aggravated by how her former friends treat their hired help and decides to write a book that would tell the maids’ perspective of the racism they experience on the job. Although she receives quite a lot of resistance to the idea initially, Aibileen agrees and allows Skeeter to interview her about her work and what it is like rising white children who inevitably grow into women who are just as bigoted as their mothers. As the film progresses we are witness to some of the indignities faced by the hired help at the hands of their employers. This film is quite lengthy, and attempts to cover an extended period of time, from Skeeter’s book’s conception to its publication. Although the story has its moments, the pacing is not always the best and skips over what I thought were important relationship developments.

The standout performance in The Help is from Viola Davis, who is powerful as Aibileen and equips the character with an emotional intensity that boils below the surface of her quiet and well mannered appearance. Octavia Spencer is also quite good as Minny, Aibileen’s bold friend and fellow maid. While both of these women have received Oscar nominations, it is unfortunate that the roles they are being honoured for are stereotypical Mammy characters. Although they bring life to these characters, the writing in The Help does little to add much depth to these roles outside of their usual cinematic portrayal. Speaking of Oscar nominations, Jessica Chastain also managed to get one for her role as Celia Foote, and while Chastain is absolutely adorable in this film, it is hardly a substantial role. It is interesting that with the volume of strong perfomances she has turned in this year (ie. The Tree of Life, Take Shelter), it is interesting that this one would be highlighted.

As I have mentioned above, although the film is entertaining and very audience friendly, it has some major flaws that I found troublesome. The film’s cast is nearly all female and I found the lack of a male presence to be curious. Racism is displayed as an expression of mean spirited attitudes and actions housewives enacted against their hired help, effectively ignoring the threat of rape and abuse male employers represented. I believe that it is telling that we see Minnie suffering domestic abuse at the hands of her black male partner, while the maids generally are shown to have little to no contact with white male homeowners. Furthermore, The Help, like oh so many Hollywood features about race relations, gives its white protagonist nearly all the power and portrays her as a saviour.  Audiences are convinced that without Skeeter’s actions, the maids situation never would have improved. The film strips away any notion that these characters had the ability and strength to emancipate themselves using their own resources.

The Help makes for some enjoyable light entertainment, but it should be viewed with a grain of salt.

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3 Comments

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3 responses to “The Help

  1. Marie

    I loved The Help. I felt sad and outraged and happy and sad again. It moved me and it taught me. The 60s were the time when so many political movements intersected. It was an extremely volatile era. Black Americans were pushing hard to desegregate all kinds of institutions and the Second Wave of feminism was emerging.

    The women of The Help were living just at the brink of that birth of social change. Their interpersonal relationships were a microcosm of what was happening in America. Entertaining – yes – but the kind where I felt so involved I wanted to shout angry remarks, especially after Skeeter’s seemingly “liberal” boyfriend shows his true racist and misogynistic colors.

    I appreciate your perspective and you have given me some “points to ponder.” That said, I loved The Help (and would have hopelessly embarrassed my kids if they had been with me)!

  2. Marie

    More . . . The part where the woman loses her pregnancy and she had lost two before that. She was in the garden planting rose bushes over the remains. I found that so touching.
    I had lost two pregnancies and I planted two pots of flowers to commemorate them. That scene really hit home for me.

    • The movie really does tell a good story, and I found much of it very touching. These characters all go through so much, and I found Skeeter and Celia to be relatable. I just found the stereotypical portrayal of black women in this film to be problematic, particularly since the film seems to convey authenticity to the era. It is important to remember that the original writer of the book is a white woman, the director and screenplay writer is a white male, and they are telling a story in which 2 of the 3 major characters are black. It is a touchy subject regarding an artists right to write about the perspective of others, particularly when a relationship to ones subject is entrenched in historical differences in power.

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